Everything from the blaring sirens in the intro to the dynamic, zipping synths in the hooks had the group’s ssen unnie image in mind. With Rado, one half of hitmakers Black Eyed Pilseung, on board production, “Don’t Touch Me” was always destined to succeed. She could not have predicted then that her fantasy girl group picks made in passing would actually bring the eclectic (not to mention multi-generational!) bunch together under a new brand, let alone result in a hit worthy of its PAK (“perfect all kill”) status. Formed through the MBC variety show Hangout With Yoo, the seasonal supergroup is Lee Hyori’s accidental brainchild, which consists not only of the 2000’s K-pop diva herself, but also her role model and ‘90s legend Uhm Jung Hwa in addition to current chart-topping soloists Jessi and Hwasa. No debut has or ever will be as ambitious or serendipitous as Refund Sisters’.
#Kpop songs on just dance 2020 professional#
With that said, after weeks of arguing, plotting, and a few injured friendships and professional relationships, the KultScene team came up with the 50 K-pop songs we mostly objectively think were the absolute best of 2020. Soloists, rookie groups, and the more established ones - 2020 was a year owned by women. Female acts were also the driving force of the industry this year.
#Kpop songs on just dance 2020 full#
We also saw solo acts come out in full force, giving bigger ensembles a run for their money. And despite artists not being able to tour or fully promote their new material, they did not skimp out on quality, and instead gave us a great year in music.įrom throwback genres like disco and 80’s synthpop to city pop, newtro dominated K-pop in 2020. Given the industry’s quick adaptation to the new normal, the constant stream of new music never faltered.
Luckily, as fans, we had K-pop to get us through these tumultuous times and offer a small glimmer of normalcy and joy, even if it was for the duration of a song. No one needs a refresher on how terrible it got, so to put it simply, it was a tough year for everyone around the world. Groups were starting to tour more and in new countries, different music markets were being explored, monster rookies were debuting left and right - it just seemed like nothing could deter K-pop’s escalation to world domination. Different Korean artists were reaching new grounds throughout the entire world and K-pop was starting to see mainstream attention and success. Hopes were high at the beginning of the year.
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